“‘Useful Knowledge’ versus ‘Wastes of Print’: Working-Class Education and Edward Lloyd”. Victorian Popular Fictions Journal 3.1 (Spring 2021): 123-139. Double-blind peer-reviewed. https://doi.org/10.46911/QODX5600
“‘Attend the Tale of Sweeney Todd’: The Transmedial Circulation of a Victorian Narrative”. Polysèmes “Contemporary Victoriana” 23 | 2020. Double-blind peer-reviewed. https://doi.org/10.4000/polysemes.6781
Book chapters
“‘Embalmed pestilence’, ‘intoxicating poisons’: Rhetoric of contamination, contagion, and the Gothic marginalisation of penny dreadfuls by their contemporary critics”. In Nicole C. Dittmer and Sophie Raine (Eds), Penny Dreadfuls and the Gothic: Investigations of Pernicious Tales of Terror. University of Wales Press, 2023, pp. 91-113.
“‘Lost, as it were, from amidst the assemblage of my literary productions’: Authorial agency from scissors-and-paste to remix in Reynolds’s translations”. Co-authored with Marie Léger-St-Jean. In Jennifer Conary and Mary Shannon (Eds), Reynolds Reimagined: Studies in Authorship, Radicalism, and Genre, 1830-1870. Routledge, 2023, pp. 52-81.
Editing work
(forthcoming) Co-editor of “Poison(s) and Poisoning in Nineteenth-Century Popular Fiction,” a special issue of Victorian Popular Fictions Journal (Autumn 2026), with Sarah Frühwirth. CFP available here!
Co-editor of “More than Meets the Ear: Sound & Short Fiction“, a special issue of Short Fiction in Theory & Practice (Vol 11, n°1 & 2, July 2021), with Sylvia Mieszkowski and Harald Freidl.
“For Better or for Worse.” In Uni-Verse Creative Writing Society of the University of Vienna (Ed.), Pocket Universe #6: Haunted. Uni-Verse//Vienna, 2025.